Rationale for an Active Solo and Ensemble Program

1) National Standards for Arts Education

Content Standard 2: Performing on instruments, alone and with others, a varied repertoire of music

·        Achievement Standard 2a: Students perform with expression and technical accuracy a large and varied repertoire of instrumental literature

·        Achievement Standard 2b: Students perform an appropriate part in an ensemble, demonstrating well-developed ensemble skills

·        Achievement Standard 2c: Students perform in small ensembles with one student on a part

2) Instrumental Music Curriculum

One objective of instrumental music is to develop in the student the ability to work effectively through the acquisition of such traits as industry, persistence, and eagerness to grow. Opportunities shall be given students for self-expression in music, a respect for and an appreciation of outstanding cultural developments. Through music education the student will acquire knowledge, skills, and attitudes, which will help to make him a more desirable member of society. The knowledge, skills and attitudes desired could best be imparted through a program, which is based upon general and specific goals throughout a graded progression.

 

It is the function of the instrumental music program to develop musical standards and to impart a basis for value judgments, resulting in the encouragement of sensitive musicianship with breadth, depth and permanence. To foster the kind of music appreciation and understanding that will be effective in the life of the student, a school band instrumental program should seek to give the student something of intrinsic worth through contact with an extensive repertoire, representing the best of the world’s music, balanced by attention to theory, skill development, and listening. The music experienced through participation must be of a standard that imparts lasting values. A school instrumental program, based upon less than respect for music as an art which imparts aesthetic, moral and spiritual values will fail to realize its real mission – that of enriching life.

 

Nebraska State Activities Association

·         Music Bylaws (Rules and policies you need to know before entering NSAA sponsored music events): www.nsaahome.org/textfile/yb/7music.pdf

·         Nebraska District Music Contests: www.nsaahome.org/textfile/music/mudist.htm

 

Selecting Ensembles for the Students

Guide the students on their selection of possible ensembles to participate in. Provide the following options:

·         Solo or Duet

·         Trio, Quartet, Quintet, Sextet, Septet, Octet

·         Flute Choir, Clarinet Choir, Saxophone Choir, Woodwind Choir

·         Trumpet Choir, French Horn Choir, Trombone Choir, Tuba Choir, Brass Choir

·         Percussion Ensemble

 

Picking Suitable Music

·         A place to start: www.wsma1.com

                1) Click Festival Music List

                2) Select “Solos” or “Ensembles”

                3) Select a category; press “Search” and then “List”

·         Contact other states and get their lists.

 

Ordering Music

Most any reputable music store can get you the music you need. Here is a place to start to check availability and prices: www.jwpepper.com

1)       Click “State/Festival Lists”

2)       Select “Wisconsin” (It will correspond with the “Picking Suitable Music” Caption Listed above)

3)       Choose the ensemble level

4)       Select “Instrumental Ensemble” or “Instrumental Solos”

5)       Note: Class A is the most difficult music

 

Scheduling Rehearsals

Use a 10 Week Countdown Plan:

·         Week 10: Students get music
·         Week 9: Students work on music
·         Weeks 8, 7, 6, 5: Teacher meets with solos and ensembles 3-4 times (20 minutes each session)
·         Week 5: Teacher selects prepared solos and ensembles for festival
·         Weeks 4, 3, 2, 1: Soloists work with accompanists. Teacher meets with selected ensembles 1-2 times (20 minutes each session)
·         SOLO AND ENSEMBLE CONTEST!